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Before Three

The happiest day I ever knew
In a sea of gold down next to you
So blurred and tired under summer sun
You whispered dreams of a world to come...
We were so in love
In this sea of gold so young and tired
Under summer sun hard by your side
Whispering dreams down next to you...
We were so in love
The happiest day
Yeah the happiest day I knew
But summer sun sea of gold
This perfect day oh so long ago
Whispering dreams so blurred and tired
We have to keep this day alive
Whispered dreams so young and tired
It's hard to hold this day inside
And the happiest night I ever had
Up next to you in silver sand
So scared and high under winter moon
You whispered dreams that would all come true...
We were so in love
Up next to you so fucked and high
Under winter moon it made me cry
Whispering dreams on silver sand...
We were so in love
The happiest night
Yeah the happiest night I had
But winter moon and silver sand
This perfect night in another land
Whispering dreams so scared and high
We have to keep this night alive
Whispered dreams so fucked and high
It's hard to hold this night inside
Yeah and every summer's sun I want again
And every winter's moon I want the same
My happiest day and my happiest night
Always next to you...
And held deep inside...
Keeps me alive

Robert on 'Before Three'....
"This one I was starting to get a bit more upbeat, and it was a good point in the record, about three songs in, to lift things up a bit. It's the memories that I hold and I'm sure that again everyone holds, of certain perfect days and nights. Particularly you have a period in your early teens where everything is so heightened. There is an element of that self awareness, everything just suddenly starts to seem really bright and everything's very important. It was just that. There are still key moments in my life and however old I get they're always gonna be there. They're like the touchstones for me, of how good things can be, and how bad things can be. Its like referencing both of those. Originally this song was like a good and a bad side, and I thought it was a bit too close to Labyrinth having a light side and a dark side. So I ditched the dark side and kept the song, and I turned it into like happiest day and happiest night.
Hardly any of these songs on this record are lyrically ground breaking for me, I'm returning to a number of themes, I think most artists do actually. The point of it is trying to illuminate things in a slightly different way and present them in a different way. I was aware of returning to certain themes, then I thought, if we're going to call this album 'The Cure' I had to do that, I can't possibly start off on some bizarre tangent or something that doesn't mean anything to me because I'd be missing the point. This opportunity is about expressing exactly those things that the Cure have always dealt with and Before Three laments the passing of time, but at the same time holds the idea that if you can hold onto those memories in a very real sense then you can't go too far wrong, I think that's very true, and that's going back to the idea that even though you acknowledge that you do change, you really have to hold onto some of the things that happen to you when you're younger, in order not to change too much, or if you change and forget then I really do feel you loose yourself."
XFM, June 2004