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Labyrinth

Say it's the same sun spinning in the same sky
Say it's the same stars streaming in the same night
Tell me it's the same world whirling through the same space
Tell me it's the same time tripping through the same day
So say it's the same house and nothing in the house has changed
Yeah say it's the same room and nothing in the
room is strange
Oh tell me it's the same boy burning in the same bed
Tell me it's the same blood breaking in the same head
Say it's the same taste taking down the same kiss
Say it's the same you
Say it's the same you and it's always been like this
Say it's the same you
Say it's the same you and it always and forever is
Say it's the same you
Say it's the same you and it's always been like this
Say it's the same you
Say it's the same you and it always and forever is
Say it's the same you
Say it's the same you
Yeah tell me it's all the same
This is how it's always been
But if nothing has changed...
Then it must mean...
But the sun is cold - the sky is wrong
The stars are black - the night is gone
The world is still - the space is stopped
The time is out - the day is dropped
The house is dark - the room is scarred
The boy is stiff - the bed is hard
The blood is thick - the head is burst
The taste is dry - the kiss is thirst
And it's not the same you
It's not the same you
No it never was like this
It's not the same you
It's not the same you and it never really is
It's not the same you
It's not the same you
No it never was like this
It's not the same you
It's not the same you and it never really is
It's not the same you
It's not the same you
Oh it's not the same
This isn't how it's always been
Everything has to have
changed...
Or it's me...

Robert on 'Labyrinth'....
"Labyrinth was sort of an extension to Lost, it was actually the second part, this was where I was going to go with it. So if I'm still me, and if I am me, and if I have to come to terms with that, how come I don't feel like I've always felt, how come I suddenly feel like I'm displaced. Its like when I wake up in the morning nothing looks right, nothing feels right, nothing seems to be as it was. So its either everything is changing around me or more likely that I'm changing and so, therefore, back to that dilemma of how do I reference anything if I have no starting point. You know, the earth's constantly moving under my feet, I was trying to get that feeling of being like adrift. And the idea of the Labyrinth is like, it just appealed to me, just as a visual image I had in my mind, like I'm working my way through knowing that there was only one way out, which was kind of the positive side of the song as opposed to the maze, where there's a series of dead ends. With a labyrinth its actually much easier than a maze. I liked the idea of dividing the song up in two and having one where I was like assured that things were as they should be and the second half of the song where I was going like demented and thinking everyone's lying to me and at the centre there's some grand conspiracy which I allowed myself a bit of poetic licence. I mean there are days, and everyone I know has experienced this, and you think well something weird has happened and I'm not quite sure what it is, but this doesn't seem the same as yesterday. It often comes with like something traumatic can happen to you and it manifests itself in very strange ways, and I thought with me that probably is the case, and I had something bad that happened to me and from that point on I started to feel really uneasy about things in general. Very strange things like the taste of water and stuff like that.
So that was what the song was driven by and I liked idea of having the second song that carried on the kind of theme that, going back to Ross' idea of what the Cure sounds like, its very guitar driven, and everything is guitars. I mean there's keyboards all over the record, synths. But Roger our keyboard player, I limited him to a pallet of five sounds at the start of the record, I said you've got to choose five sounds, that's it."
XFM, June 2004